The Grand Budapest Hotel (2014) - dir. by Wes Anderson
In all, there were five of them. They has only one thing in common: a hatred of Governor Odious.
"As written, Ryan Gosling comes into this baptism, sits down in the middle of the pews with all the people, and is enraged that another man is baptizing his son. So I had 500 people from Schenectady show up in their Sunday finest. You had Eva Mendes, Mahershala Ali, and the baby: Everyone’s dressed to the nines. I had the camera in the back of the church, and I told Ryan, ‘Come in and find a place to sit.’ Ryan walks into the church, and he’s literally a marked man. He cannot fit in anywhere."
"He moved over to the corner of the church, and I just panned with him as he sat down. Then I cut and moved my camera into a close-up. And I was shooting this close-up of him, and behind us, there was this baptism going on. I noticed Ryan wasn’t getting enraged as I had expected, but he was trembling. And I noticed that this well of emotion was building in him, this humiliation, this deep shame. And he started to break down on camera. As his friend, all I wanted to do was shut the camera off and give him a hug. Give him a napkin and wipe it off: It’s just pretend. But that’s what we were there for. You’re always trying to get to a place where the acting stops and behavior begins. That’s what these tattoos are for — actors are very much like athletes to me, I work with them on a very physical level. I feel like the physical level affects the psychological and the emotional."